The impulse

Making something real is the best part of this work. It's what carried us through our own brands — the failed prototypes, the dead ends, the processes that refused to behave the first time, or the fifth.

933 exists because that impulse doesn't stop at what's within reach. Most designers are limited not by taste but by access — to the right workshop, the right process, someone willing to spend weeks inside a material rather than specifying it from a catalogue. We spent fifteen years building that access for ourselves. Now it's what we offer.

Buzao & Bentu

933 grew out of two design brands founded and run in Guangzhou.

Bentu built furniture and lighting from materials most factories throw away — developing terrazzo and concrete from recycled ceramic waste until they were stable enough to produce, ship and sell. Not a design project that happened to use recycled material; a material development project that happened to make furniture.

Buzao, founded in 2017 as Bentu's experimental arm, pushed industrial materials past their defaults — the NULL collection set blue-toned glass against iridescent stainless steel; the HOT collection took electroplated colour onto industrial stools. The work was covered by Dezeen, Design Milk and Wallpaper*.

Neither brand treated manufacturing as a step after design. The material development was the design. That conviction is the core of how 933 works today.

The brand side

We've also worked the other side of the table: production management inside European design brands, and years coordinating China-side production for international furniture and lighting brands we can't name here. NDAs are part of this work, and we keep them.

That double view — what a designer is protecting, and what a workshop needs in order to deliver it — is what 933 actually sells.

How we work

We're not a factory, and we're not an agent. For each project we assemble the right workshops from a network across the Pearl River and Yangtze River Deltas — chosen for real expertise in the material and process the piece actually needs, not drawn from a fixed roster.

We coordinate development, prototyping, quality and delivery, and we document as we go. When something goes wrong — something always does — you hear it from us early and straight, with options rather than excuses.

Our own work

We still design and produce our own pieces. Staying close to the making keeps our judgment honest — we live the same pressures you do.

And we show our own work in full precisely because we will never show yours. Your designs, your suppliers and your development are yours; we're glad to put that in writing.

How a project starts →